MATERIALS LIST SEMESTER 2, 2017

These are the materials required for your first class. As there are no shops close by, please bring snacks or lunch. BYO cup for coffee and tea.

PAINTING

Painting 1 - Oils (Svetlana Trefilova)

Oil paints: white, Prussian blue/Payne’s grey, red (any - cool and warm), blue (any - cool and warm), and yellow (any - cool and warm); Oil mediums: No 1, No 2 and No 4, OR Liquin Medium (original) - which is a faster drying medium, OR bottle of Odourless Solvent (Turpentine) and bottle of Linseed Oil to mix your own mediums; Visual diary; 2B pencil; Ruler; Flat and round brushes of different sizes; 3 canvases - 50 x 60cm or slightly smaller, but not bigger; A canvas paper pad for exercises; Important - Tissue paper, a few plastic plates to use as palettes; Glass container with Odourless Solvent to wash brushes; Hair dryer.

Advanced Watercolour (Svetlana Trefilova)

Watercolour paints (single tubes or a basic set, Windsor & Newton/Art Spectrum); White and dark blue or dark green acrylic paint; Black ink, pen and nib; Small box of oil crayons; A few watercolour brushes of different sizes and shapes; A pad or single sheets of 300 gsm watercolour paper, not Mont Marte paper; Masking liquid; Visual diary; 2B pencil and eraser; Mixing palette and water container; Masking tape; A drawing board or any other hard board.; Tissue or paper towel; Hair dryer; Spray bottle with a very fine mist.

Painting 2 (Sally Duhig)

Chromacryl acrylic paint tubes: - Warm Red, Cool Red, Warm Yellow, Cool Yellow, Warm Blue, Cool Blue, White, Black – OR - Reeves paints (deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder) ;  Palette - large, flat and   white; Water container (e.g. Bucket);  Rags;  Bristle Brushes in a variety of sizes (flat or round);  an A2 pad of Cartridge Paper or 10 sheets of A2 Cartridge Paper;  A4 Visual Diary;  4B Pencil;  Sharpener;  Eraser;  Scissors;  Masking Tape;  2 Bulldog Clips;  1 stick of willow Charcoal; a cake of Sards Wonder Soap.

Drawing & Painting for the Raw Beginner (Sally Duhig)

Chromacryl acrylic paint tubes: - Warm Red, Cool Red, Warm Yellow, Cool Yellow, Warm Blue, Cool Blue, White, Black – OR - Reeves paints (deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder) ;  Palette, Water container (e.g. Bucket);  Rags;  Bristle Brushes in a variety of sizes (flat or round);  an A2 pad of Cartridge Paper or 20 sheets of A2 Cartridge Paper;  A4 Visual Diary;  4B Pencil;  Sharpener;  Eraser;  Scissors;  Masking Tape;  2 Bulldog Clips;  1 stick of Compressed Charcoal; a cake of Sards Wonder Soap.

Expressive Water Media (Mia Clark)

An A3 pad of 300gsm medium watercolour paper (eg. Montval – approx. $20), Student quality (Cotman is a good brand) tubes of watercolour paint – red, blue and yellow (DO NOT BUY MARIES OR MONTMATRE), masking tape, scissors, drawing boards, palette with large recesses for mixing paint, tissues or paper towels, water containers x2, pencil or eraser, brushes: medium (4-6) round and large flat (8-10) and masking fluid.

Painting 1 (Deborah Cavallaro)

A4 Visual diary;  1 large canvas pad A2 size (10 sheets);  flat bristle hog hair brushes - No.s 12, 8, 6, 4, 2, 0;  Taklon brushes - ¾ , ½, ¼, 1/8 inch;  large area bristle brush - 2 inches wide;  Acrylic paints: - 500ml tub white, 250ml tubes of cool yellow, warm yellow, warm red, cool red, warm blue, cool blue, raw umber, black, paynes grey (No Mont Marte or Art Culture paints please);  1 container of impasto gel medium;  1 container of texture paste;  I bottle Atelier clear painting medium;  Atelier liquefying  medium;  flat palette with wells and disposable plastic plates; Gladwrap and paper towel;  spray bottle for water;  water container (e.g. large yogurt container);  rags;  small disposable plastic containers for mixing paint;  masking tape;  1 medium palette knife for mixing and painting.

Painting 1 or Painting 2 (Sally Cox)

If you do not already have paint - Chromacryl acrylic paint tubes: - Warm Red, Cool Red, Warm Yellow, Cool Yellow, Warm Blue, Cool Blue, White, Black – OR - Reeves paints (deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder) ;  Palette (a piece of corflute makes an excellent palette), Water container (e.g. Bucket);  Rags;   Brushes in a variety of sizes (flat or round);  5 sheets of cartridge paper & a sheet of canvas paper,   Pencil;  Notebook and Masking Tape OR 2 Bulldog Clips OR 2 household pegs.

Towards Abstraction (Sally Cox) 

Your usual painting materials and at least 5 large sheets of cartridge or canvas paper to paint on.

Studio Painting (Sally Cox)

Your usual painting materials

Painting 3 (Nameer Davis)  OR Studio Painting (Nameer Davis) 

Your usual painting materials.

Studio Painting (Jill Barker)  OR  Painting 4 (Jill Barker)

Your usual painting materials

Creative Portraiture Painting (David Paulson)

Charcoal and cartridge paper.

Creative Painting (David Paulson)

Charcoal and cartridge paper.

Painting 2 (Deborah Cavallaro)

A4 Visual diary;  1 large canvas pad A2 size (10 sheets);  flat bristle hog hair brushes - No.s 12, 8, 6, 4, 2, 0;  Taklon brushes - ¾ , ½, ¼, 1/8 inch;  large goat hair brush or Hake brush - 2 inches wide;  Acrylic paints: - 500ml tub white, 250ml tubes of cool yellow, warm yellow, warm red, cool red, warm blue, cool blue, raw umber, black, paynes grey, Atelier small tube of Napthol Red light, Carbon black, Transparent Yellow and Winsor and Newton Mixing White, (No Mont Marte or Art Culture paints please);  1 container of impasto gel medium;  1 container of texture paste;  I bottle Atelier clear painting medium;  Clear Gel  medium;  flat palette with wells and disposable plastic plates; Gladwrap and paper towel;  spray bottle for water;  water container (e.g. large yogurt container);  rags;  small disposable plastic containers for mixing paint;  masking tape;  1 medium palette knife for mixing and painting.

Acrylic Applications (Nameer Davis)

Acrylic / synthetic polymer paints 75 ml tubes: Rose Madder  (cool red), Vermillion (warm red), Ultramarine Blue (warm blue), Pthalo Blue ( cool blue), Process Yellow (cool yellow), Indian Yellow (warm yellow),Raw or Burnt Umber, Titanium White, Carbon Black; heavy bodied gel medium (Impasto gel); A3 pad of Canson acrylic painting paper; 2 watercolour brushes - sizes 0 & 4; 3 flat bristle brushes - assorted from 5mm, 10 mm, and  20 mm; plastic or metal palette knife, putty knife or similar small spoon or other  utensils for moving and mixing paint;  1 small sealable jar (100 ml) for storing mixed paint; Chux cloth or paper towel; plastic palette with 6 large deep recesses for mixing paint;  flat plastic or ceramic plate;  one litre water container; if you think you may have any skin allergies to acrylic paint please bring disposable latex gloves or rubber gloves.

 DRAWING

Draw to Find (Nicole Sylvestre)

For the first class, bring along a few  sheets of cartridge paper, tracing paper, and thick water colour paper (200gsm)  (Please No Montmartre brand), charcoal, soft pencils, rubber and black ink. We will discuss the rest of the material list during our first class.

Introductory Drawing (Nameer Davis)  OR  Drawing from the Visible World (Nameer Davis)

Water based Ink; Watercolour brushes size 2 and 4; Willow and compressed charcoal; Graphite pencils hb,2b, 3b. 4b, 6b; Graphite stick 9b; Spray fixative (cheap hairspray will work fine) ; A3 cartridge paper sketch book; Putty rubber  and hard rubber; pencil sharpener; paper towel; Disposable latex gloves or barrier cream if skin is sensitive.

Introductory Drawing (Mia Clark) 

2B, 4B, 6B pencils;  a grey Faber Castel kneadable eraser;  sharpener;  ruler;  small paper blender [torchon]; A4 display folder; A3 cartridge paper pad (make sure the paper doesn't feel shiny or too smooth, a bit of tooth is best);  masking tape and/or bulldog clips; we will discuss additional materials during our first class.

Portraiture and the Human Figure (Mia Clark)

Beginners: A3 pad of cartridge paper; 2B and 6 B graphite pencils; Faber Castell kneadable eraser; paper blender; A4 display folder.  Continuing students: bring a project start on and medium of their choice.

Drawing & Painting for the Raw Beginner (Sally Duhig)

Chromacryl acrylic paint tubes: - Warm Red, Cool Red, Warm Yellow, Cool Yellow, Warm Blue, Cool Blue, White, Black – OR - Reeves paints (deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder) ;  Palette, Water container (e.g. Bucket);  Rags;  Bristle Brushes in a variety of sizes (flat or round);  an A2 pad of Cartridge Paper or 20 sheets of A2 Cartridge Paper;  A4 Visual Diary;  4B Pencil;  Sharpener;  Eraser;  Scissors;  Masking Tape;  2 Bulldog Clips;  1 stick of Compressed Charcoal; a cake of Sards Wonder Soap 

Drawing from the Visible World (Sally Duhig)

Pencils (HB à 6B); sharpener; 1 full graphite pencil; erasers ( kneedable & white plastic); charcoal (willow & compressed); paper (A3 Spectrum or Rembrandt sketchbook);
1 can of workable fixative;  a 50 x 70cm MDF drawing board (available from Bunnings); 2 large fold-back clips or bulldog clips; a modest additional materials levy will be
discussed in the first class for materials supplied by the tutor during the course (eg. pastels, conté, crayons,inks, nibs, brushes, other papers, etc.).

 

 

 PRINTMAKING

Studio Fabric: design, printing & pattern  (Nancy Brown)

3 metres of cotton, poly-cotton or natural fibre material in a plain or light colour (any colour - can be patterned); bring an apron to wear or wear old clothes, and please wear closed in shoes and tie hair back; rags or cleaning cloths;  2 plastic cooking spatulas;  4 plastic containers;  disposable gloves or rubber gloves;  black drawing materials – pencils and erasers, black felt tipped pens (1 mm or wider);  a sketchbook with a few ideas, or other images for inspiration;  small paintbrushes; glue stick;  scissors;  cutting mat; rags; scalpel blade;  ruler; compass;  1-2 empty tomato sauce containers.  Optional, but highly recommended: 1 regular size screen (eg. approximately 50x60cm) and small squeegee (10 - 15cm) from Gabba Screenprint Supplies, 189 Wellington Rd,  East Brisbane QLD 4169, (07) 3891 5080 [Recommended screen: 43T 50 cm x 63 cm].

Intermediate Printmaking (Nancy Brown)

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Studio Etching (Gwenn Tasker)

Your usual materials

Exploring Litho Printing (Christopher Hagen)

Affordable Soft Brushes - not fine painting brushes;  Foam Brushes (Optional);  Conté Crayon (colour, not black);  Nitrile Gloves (Disposable or Heavyweight, available from most hardware stores);  Sharpie;  Bone Folder;  Utility Knife;  Masking Tape;  Packing Tape;  Apron;  Notebook;  Optional - Art Shed 250 x 380 Plastic Etching Plate $2.50 or larger if desired;  Recommended Papers: Rives BFK – Heavyweight, Magnani Incisioni, Somerset, Fabriano, Japanese Papers (Optional). Specialized materials such as litho crayons will be discussed and provided initially; you may wish to acquire your own set after exploring their range of uses.

Contemporary Printmaking (Christopher Hagen) 

Students will need to purchase printmaking paper and plates but it is advisable to wait until after the first class when the correct materials are discussed. At least one pair of heavy nitrile solvent-resistant gloves is required; a supply of disposable gloves is recommended. Basic supplies of note-taking materials, cutting tools (x-acto, stanley knife, etc.), a range of cheap studio brushes, and plastic "drypoint" sheets (mylar, A4 or larger) will be used regularly. If possible, your own cutting mat, small ruler, and supply of cotton buds may be useful.

Introductory Printmaking (Nancy Brown)

Drawing materials (pencils, eraser); box of disposable gloves or rubber gloves;  clean cotton rags;  surgical scalpel with spare blades and cutting mat;  scissors;  towel;  4 sheets of 250 gsm printmaking paper (such as Fabriano Tiepolo, BFK Rives, Arches Vellum, Stonehenge or Hahnumuhle Fabriano Tiepolo, BFK Rives, Arches Vellum, Stonehenge or Hahnumuhle) - sheets will also be available for purchase from the tutor;  Please wear closed in shoes, tie hair back and wear clothes or apron to suit use with provided oil based inks.

Introductory Printmaking (David Nixon)

The following items are available from Oxlades Valley (3252 8238) and/or Oxlades Southbank (3846 0611). The Art Shed (3846 1330) also sells some of these items.  Bring two or more dry point Mylar (plastic) plates (15cmx10cm or larger) for the first class of monoprinting, and for later in the semester for drypoint;  lino plates (15cmx15cm or larger), and a copper etching plate (15x10cm or larger);  Japanese veneer boards and magnolia woodplates are options;  a set of Speedball lino cutting tools and a drypoint etching needle;  various printmaking paper (240GSM or heavier), such as Canson edition all purpose printmaking paper, Fabriano Tiepolo, BFK Rives, Arches Vellum, Stonehenge or Hahnumuhle;  also bring a cutting blade and mat (optional); scissors; rags; rubber or disposable gloves; sketch book and basic drawing materials. Please wear closed in shoes, and clothes or apron to suit use with provided oil based inks.

 3D

2D to 3D: Studio Class (Carolyn V Watson)

Visual diary; Assorted wire – preferably aluminium modelling wire; Masking tape; Ink; Charcoal; Graphite; Additional materials will be advised through the course.

Ceramics I (Peter Biddulph)  OR  Ceramics 2 (Peter Biddulph)

Notebook and pencil, wear closed-in shoes, avoid flowing and loose garments, and long hair is to be tied up.   

Metal Sculpture (Allin Dwyer)

Visual diary & pen;  pencil;  wear closed-in shoes and old clothes;  your imagination.

Introductory Silversmithing (Renata Fojtikova)  OR  Studio Jewellery/Individual Projects (Renata Fojtikova)  OR Intermediate Silversmithing (Renata Fojtikova)

Notebook;  pencil;  fine/thin permanent marker;  scissors;  gluestick;  ruler;  wear fully closed-in shoes and avoid flowing, loose garments;  long hair must be tied up.

Introductory Silversmithing (Clare Poppi)  OR  Studio Jewellery/Individual Projects (Clare Poppi)

Notebook;  pencil;  fine/thin permanent marker;  scissors;  gluestick;  ruler;  wear fully closed-in shoes and avoid flowing, loose garments;  long hair must be tied up.

Ceramics: Wheel & Handbuilt (Dianne Peach)  OR Decorative Ceramics (Dianne Peach)

Notebook;  pencil;  scissors;  gluestick;  ruler;  wear closed-in shoes and avoid flowing, loose garments;  long hair must be tied up.

 CHILDREN

Children’s’ Term 3 Art Class (Deborah Cavallaro &/or Berenice Anzellotti)

Water container (e.g.; large yoghurt container); art shirt or apron, please bring morning tea, a mug for drinking water, and wear an apron.

Art for Teenagers (Berenice Anzellotti)

Bring an art journal/sketch book & pen/pencil, Wear old clothes, bring a mug for drinking water etc. and snacks if desired.

 

 Art materials are not available at Brisbane Institute of Art, so please check with the following suppliers for your art materials requirements:

 

Arthouse Direct 140 Braun Street, Deagon (38692444)

Art Shed Brisbane Discount Art Supplies: 274 Montague Rd, West End Ph: 38461330 (now has a larger range of paint)

Chapman & Bailey Brisbane: 14 Byres Street Newstead (07) 3666 0028 E. This email address is being protected from spambots. You need JavaScript enabled to view it. 10% discount

Eckersley’s Art Supplies: 91-93 Edward St (Cnr Mary St), Brisbane. (07) 3221 4866;

Oxlades Paint and Art Centre Retail Art Supplies: 136 Wickham St Fortitude Valley (07) 3252 8238; OR  Queensland College of Art, 226 Grey Street, South Brisbane (07) 3846 0611;

Pottery Supplies: 51 Castlemaine St Milton 3368 2877

 

Drawing from the Visible World (Sally Duhig)
Pencils (HB à 6B); sharpener; 1 full graphite pencil; erasers ( kneedable & white plastic); charcoal (willow & compressed); paper (A3 Spectrum or Rembrandt sketchbook); 1 can of workable fixative;  a 50 x 70cm MDF drawing board (available from Bunnings); 2 large fold-back clips or bulldog clips; a modest additional materials levy will be discussed in the first class for materials supplied by the tutor during the course (eg. pastels, conté, crayons,inks, nibs, brushes, other papers, etc.). 
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