AUTUMN 2018 ~ Materials Lists

 

As there are no shops close by, please bring snacks or lunch.  BYO cup for coffee and tea.

 

 

 

DRAWING

 

Crossing the Line from Drawing to Painting ~ 9 week (Nicole Sylvestre)

Lots of paper A4 and A3 cartridge quality, a few A4,A3 sheets of heavier, watercolour quality;  Soft pencils(2B, 4B or 6B), biros, markers, erasers, masking tape, drawing inks( black and 2 other colours) plain household candle.

 

Introductory Drawing (Sally Duhig)

Pencils (HB-6B); eraser; cartridge paper (10 sheets or A3 sketchbook); eraser; 1 soft white and black pastel (eg.Rembrandt or Art Spectrum brand); 1 can of workable fixative.

 

Drawing & Painting for the Raw Beginner (Sally Duhig)

Chromacryl acrylic paint tubes: - Warm Red, Cool Red, Warm Yellow, Cool Yellow, Warm Blue, Cool Blue, White, Black – OR - Reeves paints (deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder) ;  Palette, Water container (e.g. Bucket);  Rags;  Bristle Brushes in a variety of sizes (flat or round);  an A2 pad of Cartridge Paper or 20 sheets of A2 Cartridge Paper;  A4 Visual Diary;  4B Pencil;  Sharpener;  Eraser;  Scissors;  Masking Tape;  2 Bulldog Clips;  1 stick of Compressed Charcoal; a cake of Sards Wonder Soap.

 

Drawing & Painting for the Raw Beginner (Svetlana Trefilova)

Chromacryl acrylic paint tubes: - Warm Red, Cool Red, Warm Yellow, Cool Yellow, Warm Blue, Cool Blue, White, – OR - Reeves paints (deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder);  Palette ( you can use white plastic plates as a palette);  Water container (e.g. Bucket);  Rags or Paper towels;  Taklon brushes (flat or round);  A3 Cartridge Paper pad;  A4 Canvas Paper Pad;  2 canvas boards, middle size;  2B, 4B and 6B Pencils;  Pencil Blender;  Sharpener;  Rubber eraser and kneaded rubber;  Ruler;  Scissors;  1 stick of Compressed Charcoal;  Black ink, pen and nib.

 

Getting Inked (Lizzie Connor)

1 bottle of BLACK QUINK INK – available at Officeworks;  1 watercolour paper pad (A3 size);  1 watercolour mop brush;  1 small synthetic round brush (No. 6 round);  1 each black and white felt tip or fine tip Posca pens.(from Officeworks);  1 A4 size sketch book;  Water container/rags. Masking tape.

 

Pen and Wash (Lizzie Connor)

ACRYLIC PAINTS OR WATERCOLOUR PAINTS - Alizarin crimson, Cadmium Red Light, Cadmium Yellow Deep, Cadmium Yellow Light, Ultramarine Blue, Pthalo Blue, Black;  Brushes (say a 20 round synthetic fibre, or a 20 Flat synthetic fibre, and a 6 round or filbert ) this would be the minimum (If you have more brushes, bring them);  Water container/rags;  Graphite pencil – 4B or 6B;  Black biros, and a couple of fine black felt tip markers;  A3 size water colour paper pad;  A4 sketch book.

 

Understanding Tonal Values (Lizzie Connor)

1 box of Willowstick Charcoal;  2 sticks of compressed black charcoal;  1 6B graphite pencil or graphite stick;  1 white artists’ soft pastel;  Black and white acrylic paint;  1 Eraser;  Brushes – suggested basics – 1 x 1 inch (synthetic bristle) 1 x No. 6 round, synthetic bristle, 1 x No. 20 Hogs’ bristle flat or round,  If you have other brushes bring them;   Also Officeworks sells a great kit of synthetic bristle brushes – all types and sizes – for $14.98;  1 A3 sketch pad;  1 A2 canvas paper pad.

 

Calligraphy for Beginners: Italic & Beyond (Wendy Tweedie)

1 or 2 small glass jars (approx 150-200ml);  Paper towel;  A3 board to lean on (optional) – all other materials are provided.

 

Introductory Drawing (Mia Clark)

2B & 6B pencils;  a grey Faber Castel kneadable eraser;  a pencil sharpener;  ruler;  small paper blender;  A3 cartidge paper pad (make sure the paper doesn't feel shiny or too smooth, a bit of tooth is best);  ;  a fine black felt tip pen;  an ink pen to dip in ink; 1 black conté stick; 1 stick of compressed charcoal or a charcoal pastel; 1 stick of Willow charcoal;  a couple of sheets of A1 cartridge paper;  masking tape and/or bulldog clips.

 

Ink & Watercolour Illustration (Mia Clark)

Masking tape; Smooth 3mm MDF boards x 2  [A3 or A2 size from Bunnings]; 2B pencil, sharpener, eraser and sketchpad; Black ink pens, waterproof [alcohol based] and fineliner [water based]; White ink, acrylic or gouache paint. [White gel ink pens are fun from Officeworks]; Coloured inks..a yellow, a red and a blue;  Watercolours [best bought in tubes] A student quality decent brand eg. Cotman. Art Spectrum is also good - Not Monte Marte, Maries or Aldi brands - Again, a yellow, red and blue + Of course, buy any other colour that delights your eye!; Also, a palette with wells for paint; A size 6 to 8 watercolour round brush [and any others you may have]; 2 pots for water; tissues or paper towel; A small atomiser spray bottle for water; Salt; I will provide watercolour paper, masking fluid and other texturing materials & there will be spare brushes, pots and palettes available.

 

Introductory Drawing (Nameer Davis)  OR  Drawing from the Visible World (Nameer Davis)

Water based Ink; Watercolour brushes size 2 and 4; Willow and compressed charcoal; Graphite pencils hb,2b, 3b. 4b, 6b; Graphite stick 9b; Spray fixative (cheap hairspray will work fine) ; A3 cartridge paper sketch book; Putty rubber  and hard rubber; pencil sharpener; paper towel; Disposable latex gloves or barrier cream if skin is sensitive.

 

 

 

PAINTING

 

Drawing & Painting for the Raw Beginner (Sally Duhig)

Chromacryl acrylic paint tubes: - Warm Red, Cool Red, Warm Yellow, Cool Yellow, Warm Blue, Cool Blue, White, Black – OR - Reeves paints (deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder) ;  Palette, Water container (e.g. Bucket);  Rags;  Bristle Brushes in a variety of sizes (flat or round);  an A2 pad of Cartridge Paper or 20 sheets of A2 Cartridge Paper;  A4 Visual Diary;  4B Pencil;  Sharpener;  Eraser;  Scissors;  Masking Tape;  2 Bulldog Clips;  1 stick of Compressed Charcoal; a cake of Sards Wonder Soap.

 

Drawing & Painting for the Raw Beginner (Svetlana Trefilova)

Chromacryl acrylic paint tubes: - Warm Red, Cool Red, Warm Yellow, Cool Yellow, Warm Blue, Cool Blue, White, – OR - Reeves paints (deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder);  Palette ( you can use white plastic plates as a palette);  Water container (e.g. Bucket);  Rags or Paper towels;  Taklon brushes (flat or round);  A3 Cartridge Paper pad;  A4 Canvas Paper Pad;  2 canvas boards, middle size;  2B, 4B and 6B Pencils;  Pencil Blender;  Sharpener;  Rubber eraser and kneaded rubber;  Ruler;  Scissors;  1 stick of Compressed Charcoal;  Black ink, pen and nib.

 

Abstract In Watercolour (Svetlana Trefilova)

Watercolour paints (single tubes or a basic set, Windsor & Newton/Art Spectrum);  Black ink, pen and nib;  Small box of oil crayons;  Small box of pastels;  A few watercolour brushes of different sizes and shapes;  A pad or single sheets of 300 gsm watercolour paper, [not MontMarte paper];  Masking liquid;  Visual diary ;  2B pencil and eraser;  Mixing palette and water container;  Masking tape;  A drawing board or any other hard board;  Tissue or paper towel;  Hair dryer;  Spray bottle with a very fine mist.

 

An Introduction to Chinese Painting (Geoffrey Harley)

A large dining plate, preferably white;  a water container for brushes;  10 sheets of butchers or newsprint paper;  if you have your own Chinese brushes and ink, please bring them.

 

Getting Inked (Lizzie Connor)

1 bottle of BLACK QUINK INK – available at Officeworks;  1 watercolour paper pad (A3 size);  1 watercolour mop brush;  1 small synthetic round brush (No. 6 round);  1 each black and white felt tip or fine tip Posca pens.(from Officeworks);  1 A4 size sketch book;  Water container/rags. Masking tape.

 

Making Waves (Lizzie Connor)

Acrylic paint – essential colours – Alizarin crimson, Cadmium Red Light, Cadmium Yellow Deep, Cadmium Yellow Light, Ultramarine Blue, Pthalo Blue, Black and white;  Brushes (say a 20 round hog bristle, a 20 Flat synthetic fibre, and a 6 round or filbert ) this would be the minimum.  If you have more brushes, bring them;  Water container/rags;  Graphite pencil – 4B or 6B;  Visual diary/Sketch book A3 size;  Canvas or canvas paper  2 sheets A2 size;  Masking tape.

 

Pen and Wash (Lizzie Connor)

ACRYLIC PAINTS OR WATERCOLOUR PAINTS - Alizarin crimson, Cadmium Red Light, Cadmium Yellow Deep, Cadmium Yellow Light, Ultramarine Blue, Pthalo Blue, Black;  Brushes (say a 20 round synthetic fibre, or a 20 Flat synthetic fibre, and a 6 round or filbert ) this would be the minimum (If you have more brushes, bring them);  Water container/rags;  Graphite pencil – 4B or 6B;  Black biros, and a couple of fine black felt tip markers;  A3 size water colour paper pad;  A4 sketch book.

 

Painting Interior Spaces (Lizzie Connor)

ACRYLIC PAINTS - Alizarin crimson, Cadmium Red Light, Cadmium Yellow Deep, Cadmium Yellow Light, Ultramarine Blue, Pthalo Blue, Black;  Brushes (say a 20 round hog bristle, a 20 Flat synthetic fibre, and a 6 round or filbert ) this would be the minimum.  If you have more brushes, bring them;  Water container/rags;  Graphite pencil – 4B or 6B;  A3 size canvas paper pad or 2 x stretch canvasses A3 size;  A4 sketch book/visual diary.

 

Understanding Tonal Values (Lizzie Connor)

1 box of Willowstick Charcoal;  2 sticks of compressed black charcoal;  1 6B graphite pencil or graphite stick;  1 white artists’ soft pastel;  Black and white acrylic paint;  1 Eraser;  Brushes – suggested basics – 1 x 1 inch (synthetic bristle) 1 x No. 6 round, synthetic bristle, 1 x No. 20 Hogs’ bristle flat or round,  If you have other brushes bring them;   Also Officeworks sells a great kit of synthetic bristle brushes – all types and sizes – for $14.98;  1 A3 sketch pad;  1 A2 canvas paper pad.

 

Acrylic Applications (Nameer Davis)

Acrylic / synthetic polymer paints 75 ml tubes: Rose Madder  (cool red), Vermillion (warm red), Ultramarine Blue (warm blue), Pthalo Blue ( cool blue), Process Yellow (cool yellow), Indian Yellow (warm yellow),Raw or Burnt Umber, Titanium White, Carbon Black; heavy bodied gel medium (Impasto gel); A3 pad of Canson acrylic painting paper; 2 watercolour brushes - sizes 0 & 4; 3 flat bristle brushes - assorted from 5mm, 10 mm, and  20 mm; plastic or metal palette knife, putty knife or similar small spoon or other  utensils for moving and mixing paint;  1 small sealable jar (100 ml) for storing mixed paint; Chux cloth or paper towel; plastic palette with 6 large deep recesses for mixing paint;  flat plastic or ceramic plate;  one litre water container; if you think you may have any skin allergies to acrylic paint please bring disposable latex gloves or rubber gloves.

 

Acrylic & Mixed Media Painting  (Deborah Cavallaro) 

Any Acrylic paint that you have or if starting off cool yellow ( Cadmium light ) and transparent yellow , warm red ( Cadmium red ), Napthol red light (Atelier )cool red ( Alizarin Crimson ), warm blue ( Ultramarine blue) and cool blue ( Phthalo blue ), Titanium White, and Windsor and Newton Mixing white (transparent) Carbon black. (No Mont Marte or Art Culture paints please).  Canson Canvas pad (A2 size), chalk pastel or charcoal, Impasto Gel medium, texture paste, Clear Gel Medium, heavy body matte medium, Fiber Paste, Clear gesso, Liquitex Pouring Medium or Golden Self Leveling medium, a variety of brushes some bristle (hog hair) brushes of varying sizes, foam brushes and taklon, goat hair (Hake) brush 50ml wide. A variety of plastic palette knives. Tissue papers and a variety of textured or patterned papers, stencils and objects for stamping such as textured placemats, fabric or heavy lace. Plaster gauze. Masking tape, scissors, piece of fine and course sandpaper. Scraper or old credit cards. Paper towel, plastic container for water, small plastic containers with lids, rags and a pair of disposable gloves.

 

Ink & Watercolour Illustration (Mia Clark)

Masking tape; Smooth 3mm MDF boards x 2  [A3 or A2 size from Bunnings]; 2B pencil, sharpener, eraser and sketchpad; Black ink pens, waterproof [alcohol based] and fineliner [water based]; White ink, acrylic or gouache paint. [White gel ink pens are fun from Officeworks]; Coloured inks..a yellow, a red and a blue;  Watercolours [best bought in tubes] A student quality decent brand eg. Cotman. Art Spectrum is also good - Not Monte Marte, Maries or Aldi brands - Again, a yellow, red and blue + Of course, buy any other colour that delights your eye!; Also, a palette with wells for paint; A size 6 to 8 watercolour round brush [and any others you may have]; 2 pots for water; tissues or paper towel; A small atomiser spray bottle for water; Salt; I will provide watercolour paper, masking fluid and other texturing materials & there will be spare brushes, pots and palettes available.

 

Colour Mixing Made Easy (Abramo Papp)  OR  Colourful Compositions (Abramo Papp)

‘Moriarty Colour Wheel and Mixing Plotter’: available for purchase at the workshop ($30).  Paints: experienced artists - bring whatever paints you currently have. Absolute beginners without any paints can use in-class acrylic paints before deciding which colours to buy. Brushes: flat taklon brushes are best for small studies and metal palette knives, trowel shaped 2-3 cm long, for mixing paint. Other materials include: flat white mixing palette (A3 tear-off palettes are best in class); container for water or solvent for rinsing brushes; paint rags; A4 visual diary for making notes and A3 pad ‘Canson’ canvas paper for oils and acrylics or several sheets A3 watercolour paper for watercolours.

 

Introductory Oil Painting (Abramo Papp)

PAINTS: Bring whatever oil paints you own. For the raw beginner, only titanium white and one tube of either raw umber or burnt umber is required for the first night – not water soluble oils. If on a budget, select Winton oils (student version of Windsor and Newton). Advice on which additional colours will be given in the first class. MEDIUM: Refined linseed oil. SOLVENT: Art Spectrum odourless solvent, 500ml or I litre, for mixing with paints and cleaning brushes. BRUSHES: Bring whatever brushes you own. If buying brushes, the Monte Marte Gallery Series 6-brush set of Taklon brushes is economical. PALETTE KNIVES: a minimum of two metal (trowel shapes approx. 2-3cm long) NOT plastic palette knives. PALETTE (for mixing paint): A3 white tear-off disposable pads are best. PAINTING SURFACE: Initially, A3 size ply or mdf board and one A4 sheet of canvas paper (Canson brand, not Monte Marte) and masking tape. Additional canvas boards or stretched canvases will be discussed in class. OTHER MATERIALS: Two small sealable glass containers: one for medium and one for solvent. Larger sealable container for solvent for cleaning brushes. Rags and paper towels for cleaning brushes. A4 visual diary for making notes. OPTIONAL: A hand cream for protecting hands while handling paints and for ease of cleaning. Protective apron or old clothes.

 

Unleashing Your Inner Artist (Abramo Papp)

All materials are supplied, but it can get messy, so wear old clothes or wear a smock.

 

 

 

CHILDREN

 

Art for Teenagers (Berenice Anzellotti)  OR  Mixed Media for Teenagers (Berenice Anzellotti) 

Bring an art journal/sketch book & pen/pencil, wear old clothes, bring a mug for drinking water etc. and snacks if desired.

 

Children’s Holiday Art Workshops OR Art for Children (Deborah Cavallaro &/or Berenice Anzellotti &/or Rodney Turpin)

Please bring: a plastic salad bowl; an art shirt; a water bottle for drinking; morning or afternoon tea.

 

Children’s 10+ Drawing Club (Mia Clark)

Eraser, 2B & 6B pencils,  pencil sharpener,  A4 or A3 sketch pad,  A4 display book,  fineline pen.

 

 

 

PRINTMAKING

 

Collagraphs (Kay Watanabe)

Basic stationary such as pens and pencils; PVA glue; scissors; box cutter/xacto knife/craft knife; toothbrush (optional); various materials to be glued on to the mat board; some printmaking paper (200 gsm or heavier) for intaglio and printmaking paper (thinner) or cartridge paper for relief  print; apron; closed shoes.

 

Introductory Printmaking (Nancy Brown)

Drawing materials (pencils, eraser); box of disposable gloves or rubber gloves;  clean cotton rags;  surgical scalpel with spare blades and cutting mat;  scissors;  towel;  4 sheets of 250 gsm printmaking paper (such as Fabriano Tiepolo, BFK Rives, Arches Vellum, Stonehenge or Hahnumuhle Fabriano Tiepolo, BFK Rives, Arches Vellum, Stonehenge or Hahnumuhle) - sheets will also be available for purchase from the tutor;  Please wear closed in shoes, tie hair back and wear clothes or apron to suit use with provided oil based inks.

 

Hybrid Prints and Short-cuts (Jennifer Hamilton)

Cartridge paper, Printing paper with smooth surface, Pencils, pens, Ruler, Scissors, Stanley knife , Lino block, covering for clothes, rubber gloves.  Objects to be used for printing effects (to be discussed during first class)

 

Capturing Fabric and Plant Textures on Paper (Jennifer Hamilton)

Cartridge paper, thicker drawing or printing paper (any type, but smooth surface) pencil, stanley knife, scissors, covering for clothes, rubber gloves

 

Exploring Litho Printing (Christopher Hagen & Claudia Husband)

Students are welcome to wait until the first class for discussion of the most suitable materials, but a notebook, pencil/pen, sharpie, and a utility knife will always be useful; Affordable Soft Brushes - not fine painting brushes;  Foam Brushes (Optional);  Conté Crayon (colour, not black);  Nitrile Gloves (At least one pair of heavy-weight gloves, available from hardware stores. Disposable gloves useful but optional.);  Bone Folder;  Masking Tape;  Packing Tape;  Apron;  Recommended Papers: Rives BFK – Heavyweight, Magnani, Somerset, Fabriano, Japanese Papers (Optional); Specialised materials such as litho crayons will be discussed and provided initially; you may wish to acquire your own set after exploring their range of uses.
Introduction to Poly Plate Litho (Christopher Hagen)

 

A notebook, pencil/pen, and a utility knife. A range of waterproof pens and markers (Sharpies are the most reliable, but bring what you have to experiment with!); affordable soft brushes - not fine painting brushes; nitrile gloves (At least one pair of heavy-weight gloves, available from hardware stores. Disposable gloves useful but optional.);  Bone Folder;  Masking Tape;  Packing Tape;  Apron.  Recommended Papers: Rives BFK – Heavyweight, Magnani, Somerset, Fabriano, Asian Papers (Optional).

 

T-Shirt Fundamentals  (Nancy Brown)

10 x T-shirts (any size or shape;  these can be new, second hand with or without previous printing on them;  we will be experimenting with printing onto them to learn the process;  any colour, a mix of dark and light would be useful);  bring an apron to wear or wear old clothes, and please wear closed in shoes and tie hair back; rags or cleaning cloths;  2 plastic cooking spatulas;  4 plastic containers;  disposable gloves or rubber gloves;  black drawing materials – pencils and erasers, black felt tipped pens (1 mm or wider);  a sketchbook with a few ideas, or other images for inspiration;  small paintbrushes; glue stick;  scissors;  cutting mat; scalpel blade;  ruler; compass;  1-2 empty tomato sauce containers.  Optional, but highly recommended: 1 regular size screen (eg. approximately 50x60cm) and small squeegee (10 - 15cm) from Gabba Screenprint Supplies, 189 Wellington Rd,  East Brisbane QLD 4169, (07) 3891 5080 [Recommended screen: 43T 50 cm x 63 cm].

 

Shibori (Nancy Brown)

Bucket or ice cream container; Scissors; Sketchbook or notebook; Plastic bags; Natural materials: wool, cotton linen, hemp or silk; Pieces of fabric or readymade items or items for upcycling (eg t shirts, shirts, scarves, table linen - Tutor will also have some readymade items available at the workshop); Cotton Rags; Rubber gloves or disposable gloves; All other materials will be supplied.

 

Cyanotype Printmaking (Thomas Oliver)

Fabrics (made from natural material : eg. cloth, paper, wood, etc.);  Objects from home.

 

Etching for Beginners (Gwenn Tasker)

Apron; box of nitryl gloves (the blue ones); closed toe shoes; mask; pencils; steel ruler (preferably 60 cm); eraser; craft knife or stanley knife; etching needle; burnisher; scraper etc if you have them; start collecting sharp tools for mark making on plate – ie leather punching, awls, drill points etc.; journal.

 

The Magic of Tie Dyeing (Paul Sesay)

Rubber or disposable gloves;  a reel of strong white thread; a fair size needle (#2);  5 metres of 100% white cotton fabric;  2 metres of brown paper;  a tape measure.

 

 

 

3D

 

Paper Cut Quilting (Martina Latimer)

Students will be asked to bring their sewing machine, sewing tools and fabrics after the first class.

 

Slow Stitching (Martina Latimer)

All materials for this weekend course are provided but you are certainly welcome to bring fabrics you want to work with.

 

Sculpture with Mixed Media (Berenice Anzellotti)

Visual diary & pen;  pencil;  wear closed-in shoes and old clothes;  your imagination.

 

Ceramics for Beginners (Dianne Peach)  OR  Essential Skills for Wheelthrowing (Dianne Peach)  OR  Simple Kiln Building & Firing (Dianne Peach)

Notebook and pencil, wear non-slip closed-in shoes. Please wear old clothes and/or apron and bring an old towel.

 

Ceramics for Beginners (Peter Biddulph)

Notebook and pencil, wear non-slip closed-in shoes. Please wear old clothes and/or apron and bring an old towel.

 

Introductory Silversmithing (Clare Poppi) OR Ring Stack (Clare Poppi)

Notebook, pencil, fine permanent marker, glue stick and ruler; wear closed-in shoes, avoid flowing and loose garments, and long hair is to be tied up.

 

Introductory Silversmithing (Renata Fojtikova)  OR  Silversmithing: Stone Setting (Renata Fojtikova)  OR  Creative Chain Making (Renata Fojtikova)  OR  Studio Jewellery / Individual Projects (Renata Fojtikova)

Notebook, pencil, fine permanent marker, glue stick, scissors, ruler; wear fully closed-in shoes, avoid flowing & loose garments, & long hair to be tied up.

 

Enamelling on Silver (Georgina Berkman)

Enamels and fine silver are supplied, but bring a notebook and pencil, your lunch and a mug for tea or coffee. Wear old clothes (or an apron) and closed in shoes. Avoid flowing clothing, and long hair must be tied up.  

 

 

 

WEB

 

Website Creation (Peter Biddulph)

 

A laptop computer, with a recent or current operating system, is essential (a basic understanding of text editing and file management on computers is also required); Note book & pen; a USB memory stick; please also bring a collection of your images, either on your laptop, a USB stick, CD or DVD.

 

 

 

PHOTOGRAPHY

 

Introduction to Digital Photography: Exposure & Expression (Thomas Oliver)

A digital camera.

 

 

 

Art materials are not available at Brisbane Institute of Art so please check with the following suppliers for your art materials requirements:

                                    

Eckersley’s Lutwyche:546 Lutwyche Road Lutwyche, Lutwyche QLD 4030, (07) 3858 2730
Art Shed Brisbane Discount Art Supplies: 274 Montague Rd, West End Ph: 38461330

Chapman & Bailey Brisbane: 14 Byres Street Newstead P. (07) 3666 0028 E. This email address is being protected from spambots. You need JavaScript enabled to view it. 10% discount

Eckersley’s Brisbane:91-93 Edward St (Cnr Mary St), Brisbane (07) 3221 4866 

Oxlades Paint and Art Centre Retail Art Supplies: 136 Wickham St, Fortitude Valley (07) 3252 8238

Oxlades at QCA: Qld College of Arts, 226 Grey Street, South Brisbane (07) 3846 0611

Arthouse Northside: 140 Braun Street, Deagon (3869 2444)

Pottery Supplies: 51 Castlemaine St, Milton 3368 2877


 

 

 

 

 

 

 

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