MATERIALS LIST SUMMER 2020

As there are no shops close by, please bring snacks or lunch. BYO cup for coffee and tea.

DRAWINGPAINTINGCHILDRENPRINTMAKING3DWEB | OTHER | ART MATERIALS SUPPLIERS

 

DRAWING

Introductory Drawing (Nameer Davis)  OR  Drawing: Gesture & the Human Figure (Nameer Davis)

Water based Ink; Watercolour brushes size 2 and 4; Willow and compressed charcoal; Graphite pencils hb,2b, 3b. 4b, 6b; Graphite stick 9b; Spray fixative (cheap hairspray will work fine) ; A3 cartridge paper sketch book; Putty rubber  and hard rubber; pencil sharpener; paper towel; Disposable latex gloves or barrier cream if skin is sensitive.

Exploring Charcoal & Pastels (Mia Clark)

Pastels: boxed set of MYUNGO half stick pastels are adequate to start exploring, Minimum 48 set (the more the merrier);  3 sticks of conté (white, sanguine, black);  a charcoal pastel or a stick of compressed charcoal; some fine to medium sticks of willow charcoal;  a grey faber castel kneadable eraser; a small paper blender;  optional: a charcoal pencil or raw umber pastel pencil (conté a paris); 2 A2 sheets of cartridge paper, 2 sheets of Canson Mi-Tientes paper (mid grey/mid tan or Mid blue);  1 large sheet of colorfix paper in a dark colour, (eg. blue, green or black or aubergine);  a smooth drawing board big enough to take a half or whole sheet of paper (Bunnings have 3mm MDF sheets which do the job); 2 bulldog clips.;  masking tape;  a stanley /craft knife;  some sandpaper to sharpen your conté sticks on;  a packet of hand wipes/ tissues. Please note, Daisy also have small pastels, around $3 a pack with about 18 colours.

The Art of Improving your Paintings with Preliminary Artist’s Studies (Mia Clark)

2B, 4B & 6B wood less graphite pencils;  a grey Faber Castel kneadable eraser;  a normal eraser;  a pencil sharpener;  ruler;  small paper blender;  A4 or A3 cartidge paper pad (make sure the paper doesn't feel shiny or too smooth, a bit of tooth is best);  a fine black felt tip pen or sharpie;  a black conté stick; 1 stick of Willow charcoal;  masking tape and/or bulldog clips. Optional, set of half stick conte pastels (eg. Daiso have sets for about $3);  Also, your usual painting materials (any medium) and appropriate paper to do studies on.

The Art of Sacred Geometry (Stephanie Ellis)
Good working Compass with lock in the middle, 30cm Ruler, A3 sketch pad, Pencils 2H HB 2B, Rubber, Tracing Paper, Colours * optional. 

 

PAINTING

Australian Flowers in Watercolour  (Svetlana Trefilova)
Watercolour paints (single tubes or a basic set, Windsor & Newton/Art Spectrum) , A few watercolour brushes of different sizes and shapes

300 GSM watercolour paper, some paper will be provided , A few watercolour pencils (optional), Black ink, Masking liquid, Visual diary

HB, 2B pencils and eraser, Mixing palette and water container, Masking tape, A drawing board or any other hard board, Paper towels,Hair dryer

Spray bottle with a very fine mist

Portraits in Watercolour and Ink  (Svetlana Trefilova)
Watercolour paints (single tubes or a basic set, Windsor & Newton/Art Spectrum) , A few watercolour brushes of different sizes and shapes

300 GSM watercolour paper; some paper will be provided , A few watercolour pencils (optional), Black ink, Masking liquid, Visual diary

HB, 2B pencils and eraser, Mixing palette and water container, Masking tape, A drawing board or any other hard board, Paper towels, Hair dryer

Spray bottle with a very fine mist

Abstract in Watercolour  (Svetlana Trefilova)
Watercolour paints (single tubes or a basic set, Windsor & Newton/Art Spectrum) , 300 gsm paper, Black ink, Small box of oil crayons

Small box of pastels, A few watercolour brushes of different sizes and shapes, Visual diary , 2B pencil and eraser, Mixing palette and water container, Masking tape, A drawing board or any other hard board., Tissue or paper towel, Hair dryer, Spray bottle with a very fine mist

Watercolour for Beginners  (Svetlana Trefilova)

Watercolour paints (single tubes or a basic set, Windsor & Newton/Art Spectrum) , A few watercolour brushes of different sizes and shapes,

A pad or single sheets of 300 gsm watercolour paper (not Mont Marte paper!), Masking liquid, Visual diary , 2B pencil and eraser, Mixing palette and water container, Masking tape, A drawing board or any other hard board, Paper towels, Hair dryer, Spray bottle with a very fine mist

Chinese Painting Techniques for Beginners (Silka Huang)

Notebook and pen.

Acrylic Approaches (Nameer Davis)

Acrylic / synthetic polymer paints 75 ml tubes: Rose Madder  (cool red), Vermillion (warm red), Ultramarine Blue (warm blue), Pthalo Blue ( cool blue), Process Yellow (cool yellow), Indian Yellow (warm yellow),Raw or Burnt Umber, Titanium White, Carbon Black; heavy bodied gel medium (Impasto gel); A3 pad of Canson acrylic painting paper; 2 watercolour brushes - sizes 0 & 4; 3 flat bristle brushes - assorted from 5mm, 10 mm, and  20 mm; plastic or metal palette knife, putty knife or similar small spoon or other  utensils for moving and mixing paint;  1 small sealable jar (100 ml) for storing mixed paint; Chux cloth or paper towel; plastic palette with 6 large deep recesses for mixing paint;  flat plastic or ceramic plate;  one litre water container; if you think you may have any skin allergies to acrylic paint please bring disposable latex gloves or rubber gloves.

Fun with Illustration in Water Media (Mia Clark)

2B pencil, kneadable eraser, black waterproof pen, palette with small wells, 2 cups for water, watercolour brushes (minimum no.6 round, no.10 flat). Alizarin Red, lemon or spectrum yellow and ultramarine or spectrum blue watercolour or gouache paint tubes. Do not buy Aldi or Mont Marte paints or paper.  White ink or gouache. Smooth or medium 200gsm A4 field pad suitable for watermedia. Masking tape. 2 or 3 Light weight pieces of cardboard or 3mm MDF board slightly bigger than A4. Small packet of tissues. Pipette or eye dropper. Salt.

Sketch and Paint People (Mia Clark)
The above materials plus charcoal pencil,

Abstract Painting (Geoffrey Harley)

Acrylic paints including several different blues, reds and yellows. Glaze medium for acrylic paints. A3 paper of different qualities. A canvas or board for more major painting, A2 or larger. Flat palette, water container, range of brushes, sponge, rags, pencils. Any other preferred materials eg inks, watercolour paint.

First Steps in Watercolour (Lizzie Connor)

Small set of watercolour paints containing – Alizarin , Cadmium Red Ligh , tCadmium Yellow Deep, Cadmium Yellow Light, Ultramarine Blue, Pthalo Blue, Black.  Brushes  - 2 x  round  brushes  Size 3 and  6 synthetic bristle and a good watercolour mop, one flat 1 or 1-1/2 inch synthetic bristle brush. Water container/rags, Graphite pencil s– 4B or 6B, A3 size water colour paper pad please make the paper at least 250 gsm, and a reasonably good quality paper, suggested either Arches or Fabriano, not from the $2 shop.    One sheet of A3 canvas paper -Watercolour can be pretty amazing on canvaspaper)

Colour Mixing Made Easy (Abramo Papp)  OR  Colourful Compositions (Abramo Papp)

‘Moriarty Colour Wheel and Mixing Plotter’: available for purchase at the workshop ($30).  Paints: experienced artists - bring whatever paints you currently have. Absolute beginners without any paints can use in-class acrylic paints before deciding which colours to buy. Brushes: flat taklon brushes are best for small studies and metal palette knives, trowel shaped 2-3 cm long, for mixing paint. Other materials include: flat white mixing palette (A3 tear-off palettes are best in class); container for water or solvent for rinsing brushes; paint rags; A4 visual diary for making notes and A3 pad ‘Canson’ canvas paper for oils and acrylics or several sheets A3 watercolour paper for watercolours.

Unleashing Your Inner Artist (Abramo Papp)

All materials are supplied, but it can get messy, so wear old clothes or wear a smock.

Oil Painting Tips, Tricks, & Techniques (Abramo Papp)

PAINTS: Bring whatever oil paints you own. MEDIUM: Refined linseed oil. SOLVENT: Art Spectrum odourless solvent, 500ml or I litre, for mixing with paints and cleaning brushes. BRUSHES: Bring whatever brushes you own. If buying brushes, the Monte Marte Gallery Series 6-brush set of Taklon brushes is economical. PALETTE KNIVES: a minimum of two metal (trowel shapes approx. 2-3cm long) NOT plastic palette knives. PALETTE (for mixing paint): A3 white tear-off disposable pads are best. PAINTING SURFACE: Canson Canvas paper (not Monte Marte) for studies and primed canvases or board for finished works. OTHER MATERIALS: Two small sealable glass containers: one for medium and one for solvent. Larger sealable container for solvent for cleaning brushes. Rags and paper towels for cleaning brushes. A4 visual diary for making notes. OPTIONAL: A hand cream for protecting hands while handling paints and for ease of cleaning. Protective apron or old clothes.

The Art of Improving your Paintings with Preliminary Artist’s Studies (Mia Clark)

2B, 4B & 6B wood less graphite pencils;  a grey Faber Castel kneadable eraser;  a normal eraser;  a pencil sharpener;  ruler;  small paper blender;  A4 or A3 cartidge paper pad (make sure the paper doesn't feel shiny or too smooth, a bit of tooth is best);  a fine black felt tip pen or sharpie;  a black conté stick; 1 stick of Willow charcoal;  masking tape and/or bulldog clips. Optional, set of half stick conte pastels (eg. Daiso have sets for about $3);  Also, your usual painting materials (any medium) and appropriate paper to do studies on.

 

CHILDREN

Term 4 Art for Teenagers (Berenice Anzellotti)

All materials included. Bring an art journal/sketch book & pen/pencil, wear old clothes, bring a mug for drinking water etc. and snacks if desired. Smartphone, laptop or tablet with internet access is desirable.

Children’s Holiday Art Workshops (Deborah Cavallaro/ Berenice Anzellotti)

Please bring an art shirt or wear old clothes, a water bottle for drinking; lunch & snacks for the holiday workshops or morning/afternoon tea for the 9 week classes.

 

 

PRINTMAKING

Fabric Design & Printing (Nancy Brown)

3m cotton, or natural fibre material in a plain or light colour, bring an apron to wear or wear old clothes. Please wear closed in shoes and tie hair back. Drawing materials- pencils, erasers, black felt tipped pens and a sketchbook, small paintbrushes, disposable or rubber gloves, glue stick, sticky tape, cutting mat, scalpel blade, cleaning cloths or rags. Images and ideas for inspiration, scissors.  

Drypoint   (Kay Watanabe)
disposable gloves, 1 sheet of printmaking paper over 200 gsm, black or dark colour paper (A5 or larger, of any thickness and any quality), pencils, eraser and general stationery items; black pens (fine and thick), a small soft painting brush and white gouache, or a white biro, or a white acrylic pen (such as POSCA pen), masking tape, some images (up to A5, black and white photocopy of drawings and/or photographs.) Enclosed shoes, an apron or clothes which can be dirtied.
Material Thinking: The Printed Garment  (Glen Skien)

Rice papers (Sumi rice paper 450x25metre roll recommended); A4x4 size sheets of Mylar plastic (available from Oxlades Art Supplies) A2 size cartridge paper (10 sheets); Students may wish to experiment by using fabric surfaces (calico or muslin are great) Collage items: Any ephemeral papers, envelopes, stamps etc.; Full sheet of 2.5mm Strawboard/pocket Stanley knife/masking tape Drawing Materials: 2B,6B pencils

A4 or A5 laser printed photographic images of an interior or exterior space that holds a memory for each participant. Approx.10 images. (Office Works use Laser printers) An item of clothing or remnant pieces of fabric. Please note: It is intended that the chosen item of clothing will be inked and placed through the press, so any attached buttons or high relief objects will need to be removed.

 

3D

Ceramics for Beginners (Peter Biddulph)

Notebook and pencil, wear non-slip closed-in shoes. Please wear old clothes and/or apron and bring an old towel.

Make Your Own Ceramic Glazes (Peter Biddulph)

ESSENTIAL EQUIPMENT REQUIRED TO PARTICIPATE: A fitted respirator with PARTICULATE filters. Mask (Unisafe - RP462SM) is available online for $32.22 and particulate filters (RP104) at $5.27 from b-protected.com.au/product/unisafe-respirator.html or Tel: 03 9792 1380; Bunnings has similar products.

Translucent Midfire Porcelain Handbuilding (Dianne Peach)

Notebook and pencil, wear non-slip closed-in shoes. Please wear old clothes and/or apron and bring an old towel.

From Fragile Clay to Permanent Ceramic (Dianne Peach)

Bringing work to fire, either raw, bisque, or gloss-fired, would be good but not essential. Bring: gloves for handling bricks, fibre. Apron, hat, sunscreen.  Lunch.

Introductory Silversmithing (Renata Fojtikova)  OR  Expressive Copper Jewellery: Rings (Renata Fojtikova)  OR  Masterclass: Etched Earrings (Renata Fojtikova)  OR Knit Wit Silver (Renata Fojtikova) OR Studio Silversmithing (Renata Fojtikova)

Notebook, pencil, fine permanent marker, glue stick, scissors, ruler; wear fully closed-in shoes, avoid flowing & loose garments, & long hair to be tied up.

Armatures and Epoxy Clay (Carolyn V Watson)

Visual diaries, found objects, timber off cuts,  ideas and images for doll like sculpture that can be completed during the workshop. 

 

 

OTHER

Tie Dye for Mums, Dads and Kids   (Renata Fojtikova)
Materials: apron, rubber gloves, 3 cotton items to tie dye  ea. pillow case, tote bag, a singlet/Tshirt or shorter lengths of fabric - any colour you have handy).

Paper Cut Quilting (Martina Latimer)

A memory in the form of a photo of a place or something in nature as inspiration Fabric in the colour palette you’d like to use – look at your photo for inspiration.Fabric swatches don't need to be bigger than half a meter. Please bring your sewing machine, sewing thread, pins, scissors, rotary cutters and mats (optional)

Art as Autobiography (Donna McDonald)
Students are invited to bring whatever art materials they already have, e.g. watercolour paints (either in a pan or in tubes), acrylic paints, soft pastels, oil crayons, graphite (lead) pencils and/ or charcoal sticks, coloured pencils; Student quality is sufficient. The Art Shed at West End and Riot Art &Craft stores are excellent art suppliers, but students can also purchase basic art materials from any large supermarket chain store.

References (Optional: the lecturer will bring her copies to class for students to peruse): How to look at a painting. Justin Paton

Art as Therapy. Alain de Botton and John Armstrong The Artist’s Way OR The Artist’s Way for Retirement (Julia Cameron)

 

 

Art materials are not available at Brisbane Institute of Art so please check with the following suppliers for your art materials requirements:

                                    

Art Shed Brisbane Discount Art Supplies: 274 Montague Rd, West End Ph: 38461330;

Chapman & Bailey Brisbane: 14 Byres Street Newstead P. (07) 3666 0028 E. This email address is being protected from spambots. You need JavaScript enabled to view it. 10% discount;

Eckersley's Art Supplies: 10% BIA members discount (excludes freight and specials). Eckersley's own Creative Rewards program offers great benefits to their members, including $25 reward every 500 points, birthday gift, exclusive offers & more. ~  41 – 43 Adelaide St, Brisbane City Ph 3221 4866  ~  546 Lutwyche Road, Lutwyche Ph 07 3858 2730 ~  12 Douglas Street, Milton Ph 3858 2700 ~  42 - 44 Compton Road, Woodridge Ph 3084 6222 ~  2 / 142 Brisbane Road, Labrador (Gold Coast) Ph 5528 8388 ~  shop 11, Corner Nicklin Way & Kensington Drive, Minyama (Sunshine Coast) Ph 5444 0311

Oxlades Paint and Art Centre Retail Art Supplies: 136 Wickham St, Fortitude Valley (07) 3252 8238.

Oxlades : 82 Merivale St, South Brisbane (07) 3846 0611

Arthouse Northside: 140 Braun Street, Deagon (3869 2444);

Pottery Supplies: 51 Castlemaine St, Milton 3368 2877.